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CULTURE26 June 2026

The Hives’ Latin Surge: Garage Rock’s Transatlantic Triumph

Howlin’ Pelle Almqvist reflects on The Hives’ growing bond with Latin American audiences in a new documentary interview, highlighting the band’s surge in streaming and festival presence across Spanish‑ and Portuguese‑speaking markets. The band’s raw garage sound and localized releases have turned Latin America into a key growth area for their retro‑infused rock revival.

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The Vertex
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The Hives’ Latin Surge: Garage Rock’s Transatlantic Triumph
Source: www.billboard.com
In a new documentary interview, Howlin’ Pelle Almqvist, lead singer of Sweden’s garage‑rock band The Hives, tells Billboard that the group “really likes it here” in Latin America, a sentiment that reflects their growing bond with the region’s audiences. The Hives’ raw, high‑energy garage sound, rooted in 1960s rock and punk, has found a receptive crowd through Spanish‑language singles and Portuguese dubs that have amassed millions of streams. Their Spanish‑language version of “T.H.E.H.I.V.E.S.” and Portuguese rendition of “Hate to Say I Told You So” have each surpassed 10 million streams, while social media posts featuring the band’s iconic red jumpsuits generate thousands of fan‑generated videos. Their live shows at major festivals have drawn large crowds, highlighting their growing influence across the region. This rise follows a pattern set by The Strokes, Arctic Monkeys and Franz Ferdinand, who leverage digital platforms to reach Latin markets long dominated by pop and reggaeton. The documentary, created with Latin partners, shows that subtitles and localized marketing lower language barriers, letting the band’s rebellious anthems cross linguistic borders while touring South America more often. Looking ahead, the band’s deeper ties suggest collaborations with local artists and a more integrated transnational rock ecosystem. As streaming algorithms promote genre‑blending acts, The Hives may become a model for how Scandinavian swagger can merge with Latin vitality, promising a future where mutual influence, rather than conquest, shapes the global music landscape.